About the Item
Elegant and stately 1960s ivory goatskin lacquer and brass bar cart imported from Italy and designed by Alto Tura, the master of parchment. Iconic and timeless, Aldo Tura bar serving carts offer classic European styling. The look of old money and refinement. Quality construction. The bar cart’s ivory color is warm and inviting and easy to pair with most styles of decor. Three glass shelves with ivory goatskin and brass railings are spacious and leave plenty of room for entertaining. Clean up is easy with glass shelving. Small glass shelf lifts and may be used as a tray. Brass wheel spoke and shelf supports. This Italian bar cart is most certainly a wonderful acquisition for an esteemed collector or aficionado of beautiful things. Photographed along with and also currently available in our shop – Custom Marble and Brass Geometric Screen from Viceroy Miami Kelly Wearstler 1970s Monumental Italian Boxing Glove Lounge Chairs in Cognac Leather 22-Karat Gold Moroccan Themed Vintage Decanter, circa 1965 22-Karat Gold Moroccan Themed Vintage Cocktail Highball Glasses, circa 1965 22-Karat Gold Moroccan Themed Jar Container, circa 1965 22-Karat Gold Moroccan Themed Rocks Glasses with Carrying Tray, circa 1965
About the Designer
“One of the most enigmatic and polarizing figures to emerge in Italian design, Aldo Tura is an outlier in the world of mid-century furniture. The designer’s glamorous bar carts, coffee tables, cabinets and more resist categorization and draw inspiration from Art Deco, Art Nouveau, Baroque, Surrealist and modernist styles.
Tura moved through distinct phases in his career in terms of aesthetics, influences and finishes, rendering his life’s work exciting and diverse. Despite these phases, he held a singular devotion to one material: lacquered goatskin. Tura established a furniture production house in 1939 in Lombardy, and some of his early work focused on tables, decorative lamps and more. He later expanded to bar furnishings like rolling carts, cabinets and complementary barware accessories like ice buckets and cocktail shakers. The eccentric, gleaming and luxe surface of lacquered goatskin was a constant, along with eggshell, parchment and leather.
By the 1950s, Tura had begun to use hand-painted figural panels on the surface of cabinets, serveware (such as carafes) and other pieces. He even replicated famous works by artists like Monet and Bruegel the Elder and art from the Middle Ages, sometimes playfully embedding the paintings on cabinets shaped like oversize books. Even though he had a favored color palette of rich chocolate browns and deep emeralds, his style remained consistently hard to define.
Tura was unlike most of his Italian contemporaries but held a similar reverence for the nation’s traditional craftsmanship and artisanal techniques. He never followed the growing trend of mass-produced, industrial furniture and stuck to creating small, meticulously handcrafted collections. This principled choice means that today, a Tura piece is a rare and highly coveted collectible. The Tura firm continues to operate in Brianza, promoting Italian craftsmanship and the eclectic materials embraced by their namesake designer.”